Writing


Susan Bright is regularly commissioned to write for artist monographs, museum catalogues and edited books. Included here are some selected examples. 




Playground

Parvs (2018)

Together with Candy Graphics and Elina Brotherus this handmade box was conceived and designed to coincide with Brotherus’ solo exhibition at Serlachius Museum in Finland. It contains an essay  and is limited to 200. It contains 80 cards representing work from 2016 – 2018, and all editions are signed by the artist.



Old Future

Thames and Hudson (2017)

Susan Bright interviewed and wrote an overview of fashion photographer Erik Madigan Heck’s work to date in his first monograph.



My Horizon: Tracey Moffat

Thames and Hudson (2017)

Published to coincide with the 57th International Art exhibition of the Venice Biennale, My Horizon is edited by Natalie King. Contributing authors include: Germano Celant, Adrian Martin, Moira Roth, Susan Bright, Djon Mundine, Alexis Wright, and Romaine Moreton.



Le Gendarme sur la Colline: Alessandra Sanguinetti

Aperture (2017)

As part of the 'Immersion, A French-American Photography Commission' between Aperture and the Fondation d’entreprise Hermès, Susan Bright mentored Alessandra Sanguinetti as she travelled around France. In addition she wrote an accompanying essay for the book which she also helped edit.



Kinderwunsch

La Fabrica (2013)

In this moving project, Mexican photographer Ana Casas Broda explores the complexity of motherhood and her relationship with her two sons. Susan Bright advised on the editing of the book and wrote an essay on based on both her photographs and texts.



How We Do Both: Art and Motherhood

Secretary Press (2012)

How We Do Both is a book of collected interviews based around the three following questions: How do you logistically balance art making and motherhood, does your artmaking require a “room of one’s own”? And did having children enhance your creativity? Susan Bright contributed a chapter to the book which featured a range of photographers, artists and those working in creative fields.



Artist and Her Model

Le Caillou Bleu (2012)

In this artists monograph, Susan Bright concentrated on four photographs in her essay. Two from the beginning of Brotherus’ career and two from recent projects. The monograph is a contemplation on mid life and being a midcareer artist. It explores the themes of art history and autobiography that reverberate through Brotherus’ work.



Kelli Connell: Double Life

Decode Books (2011)

In this essay Susan Bright linked the work of Connell to the intricate 19th Century albums made by Kate Gough the writer Virginia Wolff. By connecting these women she was able to examine the themes of time and twinning across different mediums and circumstances.



Out of The Dark Room: The David Kronn Collection

IMMA (2011)

Released to coincide with an exhibition at the Irish Museum of Modern Art (IMMA) Susan Bright’s essay focused on how children and their carers had been photographed in the collection. Additional texts by Seán Kissane, David Kronn and Carol Squiers.



Mossless 1: Alone Together

Mossless (2011)

Edited by Romke Hoogwaerts, this collection of four contemporary photographers was the first in a series of book like magazines (or magazine style books) that brought together young artists that considered America, both individuality and a through a collective consciousness. It was shown at MoMA’s exhibition Millennium Magazines and is held in the collection.



Silence: The Australian Wheat Belt

G Publishing (2010)

This project by Brad Rimmer contemplates the act of returning ‘home’ and ideas of a community that has been left behind. Susan Bright wrote and accompanying essay that considered Rimmer’s quiet meditation on familiarity and alienation, beauty and poverty.